
Reported to the Computer Help Line at 212 854-1919 or via email to Please be Connectivity orĪccess problems to the Columbia University media server only, should be Visit their Support and Services pages for information. RealNetworks offers a comprehensive resource for all RealPlayer Robert O'Meally, The Center for Jazz Studies. The Columbia RealMedia server also supports streaming video as well.īelow is a sample from The Artistry of Pops: Louis Armstrong at 100 featuring Briggs, Jonathan Perl and Tutu Tutani of Wired Planet. Our featured selection is a sample from Trees - a track from Wired Planet's self-titled 2000 release. This is a demonstration of the quality of streaming audio served from Columbia University's RealMedia Server. Will also insure that your RealPlayer is able to receive media from the Columbia media servers. We have selected two samples for you to try, one audio only and one that is both audio and video. Real Player to see that it is working correctly. But before diving in, you should test your Now that you have downloaded or upgraded RealPlayer on your computer, you should be ready to receive media. If you don't, it will give you the option to download the necessry updates.

If you already have the RealPlayer on your computer but are not sure if If you do not have RealPlayer installed, visit the RealNetworks download page.

To view multimedia on your computer, it is only necessary for you

RealNetworks has a number of different players available for you toĭownload. Obtaining the latest version of RealPlayer To the lastest version, we have created this page to help you get started. If you have never used RealPlayer on your computer or simply need to upgrade Need to have the RealPlayer from RealNetworks on your computer. Quite a number of these clips and presentations use RealMedia to deliver the content to your computer.

Many of the Web pages and learning environments that are created at CCNMTL include the use of audio and video media. Video Technologies: Using the Real Player CCNMTL: Project Portfolio: Using the Real Player
